The Man Who Knew Infinity

Poster for The Man Who Knew Infinity

Featuring terrific performances by Dev Patel (The Best Exotic Marigold Hotel, Slumdog Millionaire) and Academy Award winner Jeremy Irons (Margin Call), The Man Who Knew Infinity tells the story of Srinivasa Ramanujan, the Indian mathematician whose contributions to number theory, continued fractions, and infinite series revolutionized the field. This sweeping historical film about high science and the tragic repercussions of racism amongst the ostensibly enlightened is a testament to the wonder and precariousness of genius—and the power of friendship to change the world.

Opening near the dawn of the twentieth cen­tury, the film follows Ramanujan (Patel) from his humble roots in Madras—where oppor­tunities for someone of Ramanujan’s abilities are few—to Cambridge University, where the young prodigy’s visionary theories attract the attention of English mathematician G.H. Hardy (Irons). The chance to work in the same hal­lowed halls where Isaac Newton formulated the laws of motion and universal gravitation is a dream come true for Ramanujan, but also proves to be a sort of nightmare. His colleagues, unable to see beyond his dark skin and unfa­miliar culture, harass and humiliate him, while Hardy insists that Ramanujan deliver countless proofs before being allowed to publish his work.

One of the most remarkable feats of The Man Who Knew Infinity is the way it renders Ramanujan’s groundbreaking, complex theo­ries understandable even to a layperson. But even more important is the film’s depiction of Ramanujan and Hardy’s difficult yet deep friendship, as they gradually evolve from stern mentor and untamable protégé to true peers, whose mutual love and respect transcend the formidable obstacles of race, class, culture, and tradition.

“At first glance the tall, gangly Patel is an odd choice to play a short, stout mathematician. Yet he captures his essential passion, dignity, and overweening conviction that his formulas are right.” (Deborah Young, The Hollywood Reporter)

“This is the very definition of the kind of movie people complain that ‘they’ don’t make anymore: a modestly budgeted, character-driven drama for adults that doesn’t insult the viewer’s intelligence or lean on shock value.” (Katie Rife, The A.V. Club)